// The work, broken down
Campaigns, tours, and battles — the problem that came in, what got built, and what came out the other side.
CampaignBuilding a movement language for a campaign shoot where the choreography has to read in three-second cuts and still feel like street, not commercial.
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TourTurning a set list into a show — choreography that survives 90 minutes, different stage sizes, and a different city every night.
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BattleJudging with receipts — scoring rounds honestly, giving dancers feedback they can actually use, and showing out when the showcase set comes.
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